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	<title>Obleo Design Media &#187; Architecture</title>
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	<link>http://obleo.net</link>
	<description></description>
	<lastBuildDate>Wed, 16 May 2012 20:12:23 +0000</lastBuildDate>
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		<item>
		<title>From Top Down to Bottom Up</title>
		<link>http://obleo.net/2009/07/from-top-down-to-bottom-up/</link>
		<comments>http://obleo.net/2009/07/from-top-down-to-bottom-up/#comments</comments>
		<pubDate>Fri, 10 Jul 2009 21:44:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[bottom-up design]]></category>
		<category><![CDATA[generative modeling]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[Tutorial]]></category>
		<category><![CDATA[Woo Jae Sung]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=344</guid>
		<description><![CDATA[<IMG SRC="http://obleo.net/wp-content/uploads/2009/07/circle3-590_.jpg">

Bottom-up conceptual approaches are found throughout other art disciplines, but it is still rare in architecture.  But Woo JaeSung sees bottom-up as up and coming.  Sung recently taught a workshop at Cornell, where architectural students experiment with generating highly complex 3D forms by automatically repeating patterns of components.

“In my perspective, the generative design process is not a sub-discipline in architecture, but rather another paradigm,” says Sung.  “Traditional design tools prohibited us from thinking bottom-up, while parametric or generative tools are broadening our design perspective.”]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Stadium Elastique</title>
		<link>http://obleo.net/2009/06/stadium-elastique/</link>
		<comments>http://obleo.net/2009/06/stadium-elastique/#comments</comments>
		<pubDate>Tue, 02 Jun 2009 05:09:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[generative modeling]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[parametric modeling]]></category>
		<category><![CDATA[project management]]></category>
		<category><![CDATA[sports complex design]]></category>
		<category><![CDATA[stadium]]></category>
		<category><![CDATA[Studio Mode]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=268</guid>
		<description><![CDATA[<img class="size-medium wp-image-300" title="monterrey01m" src="http://obleo.net/wp-content/uploads/2009/04/monterrey01m-590x393.jpg" />
<h3>Breathing Room</h3> 
The gill-like openings of this architectural model widen or narrow in response to changes in roof and wall dimensions.  The automated model of the sports stadium cuts out the many hundreds of manual changes the curves would have required during the development phase.]]></description>
		<wfw:commentRss>http://obleo.net/2009/06/stadium-elastique/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Remixing in Grasshopper</title>
		<link>http://obleo.net/2009/05/remixing-in-grasshopper/</link>
		<comments>http://obleo.net/2009/05/remixing-in-grasshopper/#comments</comments>
		<pubDate>Fri, 08 May 2009 07:43:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[generative modeling]]></category>
		<category><![CDATA[Grasshopper]]></category>
		<category><![CDATA[Rhinoceros]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=76</guid>
		<description><![CDATA[<img class="size-medium wp-image-103" title="Bird's Nest Remix by Noiz / Architecture" src="http://obleo.net/wp-content/uploads/2009/05/161-590x393.jpg" alt="" width="590" height="393" />

<h3>Whiskery</h3>
The Birds' Nest Remix is an example of how a small conceptual shift in 3D modeling is now producing a mother lode of innovative forms for studios like Noiz  in search of the unexpected.

The experiment in generative modeling “samples” a work of another: the Beijing National Stadium by Herzog &#038; de Meuron.  His rendering shows the Bird’s Nest of the 2008 Olympics strapped down by what appear to be tens of thousands of steel cables, which shoot up to over twice the height of the stadium roof.]]></description>
		<wfw:commentRss>http://obleo.net/2009/05/remixing-in-grasshopper/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Grand Designs</title>
		<link>http://obleo.net/2009/05/grand-designs/</link>
		<comments>http://obleo.net/2009/05/grand-designs/#comments</comments>
		<pubDate>Fri, 08 May 2009 07:14:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Rhinoceros]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=71</guid>
		<description><![CDATA[<img class="aligncenter size-full" src="http://obleo.net/wp-content/uploads/2009/05/nightview2.jpg" alt="nightview" width="590" height="393" />

“This is a very large project. It’s essentially a city,” explains Moshe Safdie &#38; Assoicatesdesigner Jaron Lubin, who was part of the design process from the beginning. The Marina Bay Sands development spreads across a six-million square-foot footprint, containing casinos and hotels, a 54,000-capacity convention center, an Art/Science museum, a mall, two large theaters, and six signature restaurants.

To ensure the on-time delivery of the massive submission and to keep track of all the design output, the team tried a somewhat different approach to project management. The designers’ strategy was to maintain the entire project in a 3D master   model. “We started to develop our 3D models right away,” Lubin explains.]]></description>
		<wfw:commentRss>http://obleo.net/2009/05/grand-designs/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Q&amp;A: Pushing Visual Limits of 3D</title>
		<link>http://obleo.net/2009/05/qa-pushing-visual-limits-of-3d/</link>
		<comments>http://obleo.net/2009/05/qa-pushing-visual-limits-of-3d/#comments</comments>
		<pubDate>Fri, 08 May 2009 04:10:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Graphics]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[Maya]]></category>
		<category><![CDATA[PhotoModeler]]></category>
		<category><![CDATA[Seattle]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=63</guid>
		<description><![CDATA[<img class="aligncenter size-full wp-image-64" title="cath" src="http://obleo.net/wp-content/uploads/2009/05/cath.jpg" alt="cath" width="590" height="320" />
<h3>Part-time Model</h3>
In their spare time, husband-wife visual effects team create stunning, lifelike renderings of historical Seattle landmarks.   ]]></description>
		<wfw:commentRss>http://obleo.net/2009/05/qa-pushing-visual-limits-of-3d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Slipstream</title>
		<link>http://obleo.net/2009/05/slipstream/</link>
		<comments>http://obleo.net/2009/05/slipstream/#comments</comments>
		<pubDate>Fri, 08 May 2009 00:21:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[3D modeling]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[SolidWorks]]></category>
		<category><![CDATA[Sungrace]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=58</guid>
		<description><![CDATA[<img class="aligncenter size-large wp-image-59" title="pic00025a" src="http://obleo.net/wp-content/uploads/2009/05/pic00025a-950x760.jpg" alt="pic00025a" width="590" height="390" />

If your architectural project scrapes the atmosphere, you will likely need the rarified services of a company like Rowan Williams Davies &#38; Irwin (<a href="http://www.rwdi.com/" target="_blank">RWDI</a>). This Toronto-based consulting firm has provided wind engineering, environmental air quality and noise management services for many of the largest architectural projects in the world, from Taipei 101 in Taiwan (currently the world's tallest building) to Burj Dubai in the Middle East (which will soon take over the title) to Daniel Libeskind's Freedom Tower at New York's World Trade Center site.]]></description>
		<wfw:commentRss>http://obleo.net/2009/05/slipstream/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Curves Without the Cost</title>
		<link>http://obleo.net/2009/05/curves-without-the-cost/</link>
		<comments>http://obleo.net/2009/05/curves-without-the-cost/#comments</comments>
		<pubDate>Thu, 07 May 2009 21:53:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[3D construction processes]]></category>
		<category><![CDATA[digital manufacturing]]></category>
		<category><![CDATA[Rhinoceros]]></category>
		<category><![CDATA[wood]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=46</guid>
		<description><![CDATA[<img class="size-full wp-image-51 alignleft" style="margin-bottom: 25px;" title="empac" src="http://obleo.net/wp-content/uploads/2009/05/empac.jpg" alt="empac" width="590"  />

<h3>Wood Builder AWI adopts 3D in construction processes</h3>

Advancements in 3D design tools have given manufacturers tremendous productivity gains over the last two decades.  Automotive development, for example, is nothing like it was twenty years ago.  In this industry, not just styling and engineering revolve around 3D data, but downstream factory processes have evolved to take advantage of the efficiencies that 3D technology offers.

One would think 3D CAD should provide the same benefits to the field of architecture and construction.  Architects would have a wider palette of forms for expression – curvatures and non-rectilinear textures; contractors would have clearer visuals and less confusion, delays, and overruns when erecting complicated structures.

But for the most part, these benefits have not emerged. 
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Topologica</title>
		<link>http://obleo.net/2009/05/topologica/</link>
		<comments>http://obleo.net/2009/05/topologica/#comments</comments>
		<pubDate>Thu, 07 May 2009 07:19:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[3D analysis software]]></category>
		<category><![CDATA[Buro Happold]]></category>
		<category><![CDATA[Education City convention center]]></category>
		<category><![CDATA[integrated modeling]]></category>
		<category><![CDATA[plug-ins]]></category>
		<category><![CDATA[Qatar]]></category>
		<category><![CDATA[Rhinoceros]]></category>
		<category><![CDATA[Sidra Tree]]></category>
		<category><![CDATA[SMARTForm]]></category>
		<category><![CDATA[structural engineering]]></category>

		<guid isPermaLink="false">http://obleo.net/?p=266</guid>
		<description><![CDATA[A SMART approach to integrated 3D analysis at Buro Happold By Brett Duesing, Obleo Design Media As one of the largest engineering consultancies in the world, Buro Huppold crosses continents &#8212; with 15 offices throughout Europe, the US, and the Middle East – as well as disciplines, offering its clients solutions to nearly any design, [...]]]></description>
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		<slash:comments>0</slash:comments>
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